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But in the print version, I didn’t include any introduction because I wanted to just throw the reader in and be like, ‘Yeah, this might be kind of jarring, but you’ll find over time that it becomes more natural.’ It’s a great way to explore different ideas and concepts and try something new.Artists/Label Representatives - Removals > here FULL WIKI - HOW TO MAKE AND DOWNLOAD SUBMISSIONS - HOW TO FLAIR YOUR POSTS - SPEK GUIDE - JOIN OUR DISCORD - JOIN THE STEAM GROUPĪutoModerator removes submissions/comments by accounts newer than 7 days. That was part of why I didn’t include any explanation in the book-except in the audio book, because it’s more difficult to tell what word is being said. We make new nouns and verbs all the time, but traditionally it was thought that you don’t introduce new pronouns, or is it very difficult to integrate them.Īnd while people do often stumble initially, with practice it becomes pretty easy to use them. From a linguist’s perspective, pronouns are usually considered a closed class when it comes to morphology, which traditionally means you don’t add words to this class. When it comes to speculative fiction, I really like neopronouns, both because I’m nonbinary myself and I like to see how different people explore gender, but also because I’m a linguist. We are able to go to faraway lands, see through the eyes of someone else. You know we’re sitting in front of a computer and physically our body is stationed at this machine, but through this network, we’re able to explore so much. I feel that this network, since it is a form of cyberpunk, is in some ways like the Internet. I was following a lot of cyberpunk tropes, but I wanted-instead of using computers and artificial technology-to tap into a more natural, biological network, because I feel that there’s so much that exists in nature that we haven’t learned how to replicate yet. SQL: Basically, Anima can project into the consciousness of various animals-it’s not possible to project into humans in this way-and act as the eyes and ears of the city through these living creatures. … It makes me wonder about the tension between constraint and freedom.
And yet, as you’ve just described, aer own body is fastened by this stem to a pod in what sounds like some kind of tank. RW: Anima, on the one hand, is wildly free, because ae can enter the consciousness and control the body of any animal, so can technically go anywhere at any time. Anima and the other nodes are in a building called the Hub and they have a special cord that connects to their neck they call it the stem, which supplies all of their nutrients and covers all their needs.
For the most part, it’s a protective role that is cut off from the society itself. It’s primarily a role of surveillance but also involves processing information, like looking through records for fraud and things like that. Qiouyi Lu: Anima is human but has chosen to take on this role of a node overseeing the city. The topics ae covers in aer New Books interview include aer inspirations for the novella (such as China’s facial recognition technology), aer interest in linguistics, including neopronouns, and aer fascination with experimental narratives. “We’re able to go to faraway lands, see through the eyes of someone else.” But through this network, we’re able to explore so much,” Lu says. “We’re sitting in front of a computer, and, physically, our body is stationed in front of this machine. Lu (whose pronouns are ae, aer, and aers) likens Anima’s experience of being both fixed and all-knowing to our relationship with the internet.